I referenced a LOT of movie stills in order to pattern out the collar. I have a Uniquely You dress form which is a duplicate of my shape. If you cant get someone to help you, I HIGHLY recommend using a dress form to pattern on. We just moved so I used a piece of the packing paper as my pattern template. I used a sharpie to identify the right shape and then made notes on those lines. I cut paper, I added some back with tape, I made a mess of it.
|the dress underneath is there to judge the front length of the collar|
|the dots are the spine placements|
|pattern with shape trimmed|
The L200 foam can be kept in shape using a heat gun and letting it cool pinned in the shape that you need it to stay in. After I had the shape that I needed, I covered the L200 foam in Worbla. And as Worbla will stick to itself when heated, I used it to attach the two collar pieces as well. The Worbla is really there just to add stiffness and stability to the foam but it works incredibly well as a sort of glue.
As you can see, I only used one layer of worbla. That stuff is spendy and when youre really only using it as stability, you don't really need to use the sandwich method where you put the foam between 2 layers of worbla. Ill be covering it all in feathers anyway.
Next is adding the spines. I patterned out the spines in paper first and then cut them out of worbla. As I was covering them in the scale leather, I didnt need to use foam with it at all. I shaped the spine parts using a mound of poly clay. Get the shape you need out of the clay then cover it in a layer of aluminum foil. Once the worbla is heated, shape it over the foiled mound and let cool then repeat the process for all of the spine parts.
|squirrel jaw bones all prepped for attachment|
|I used worbla to attach the bones to the worbla|
The next part was a touch more difficult and included dye. I had a bunch of feathers on hand from a previous project and a bunch of new duck feathers too. I had 3 different dye baths going to achieve the look I wanted -chartreuse, dark brown, olive green. The olive green dye came out almost red for some reason. I read comments from other people that they had the same issue so I only left the feathers in that dye for an extremely short amount of time.
I alternated feather colors to mimic a more natural mottling. I normally dont recommend using hot glue on any project but Ive always used it to attach feathers to costumes so I used it here. Normally, I use a glue like E6000 but that stuff is a little too toxic for me anymore. At this stage, I also attached the scaled leather underneath and used pinking shears for a natural scaled cut effect. I wasnt going for perfection but enough to convey the overall feel.
Here are the pictures of the finished collar.
The next part was the most difficult for me which is ironic seeing as how the sewing part usually is the easiest. The difficulty was in the patterning and that took a rather large amount of research work. Angelina had a whole lot of input when it came to the costume choices and they incorporated a lot of the shapes she preferred to wear into the costume. At home, she likes to wear flowing, lose clothing like caftans. The velvet cloak had no shoulder seams which means that it was likely sewn similar to a caftan.
I decided to divide my velvet into two equal lengths and construct it almost like a kimono. I draped it initially in the lining material as it was cheap and I had a lot of it so if I messed up, no little "oops"es would be seen. Everything I did on one side, I repeated on the other and then sewed the two sides together in the back. Here are a few draping and cutting pictures
|I used the lining as the pattern to cut the velvet|
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